Tragically, In 1981, after a period of depression, she committed suicide, aged 22. That this influential work was created during her educational years, is astounding.
Space2, 1976 |
From The Economist: With their spectral figures dissolving into Gothic ruins, the black-and-white photographs of Francesca Woodman look so antiquated as to be thoroughly modern in our nostalgia-riddled digital age. She shrouded herself in sheets of plastic, smeared Vaseline on mirrors, and tucked herself into vitrines. In some of her pictures her nude body appears as a solid form, all contours and negative space, like a prop in a Man Ray photograph. In others the only evidence of her body is a pair of legs underneath a diaphanous blur. [Read more...]
On being an angel #1, 1977 |
Untitled, from Eel Series, 1977-78 |
A new exhibition at SFMOMA, curated by Corey Keller, hopes to tell the full story. It is the first major U.S. retrospective of Woodman's photographs, on view through February 20 in San Francisco and appearing at New York's Guggenheim museum next spring. Its accompanying monograph, Francesca Woodman (D.A.P./SFMOMA), is one of our books of the year. We spoke with Corey Keller on the challenges of curating the work of a young artist taken by tragedy, and the unexpected themes that emerge from Woodman's photographs when viewed in a less tragic context. [Read more...]
From The Tate Modern Artist Rooms YouTube Channell: American photographer Francesca Woodman has eighteen rare vintage black and white photographs in the ARTIST ROOMS display, from a collection once owned by the artist's boyfriend. Woodmans photographs exhibit many influences, from symbolism and surrealism to fashion photography and Baroque painting. They have a timeless quality that is ethereal and unique. [Read more ...]
1 Francesca Woodman, Corey Teller (ed), San Francisco Museum of Modern Art in association with Distributed Art Publishers, New York, 2011. Buy at: Fishpond / The Book Depository / Amazon
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